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https://bibliotecadigital.iue.edu.co/jspui/handle/20.500.12717/1886Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Nehamas, Alexander | - |
| dc.contributor.author | Rendón Ángel, Juan Edilberto | - |
| dc.date.accessioned | 2021-05-12T15:14:00Z | - |
| dc.date.available | 2021-05-12T15:14:00Z | - |
| dc.date.issued | 2010-12-20 | - |
| dc.identifier.citation | Nehamas, A., & Rendón Ángel, J. E. (2010). El sueño de la razón produce monstruos. Katharsis, (10), 7-32. https://doi.org/10.25057/25005731.182 | en_ES |
| dc.identifier.uri | http://revistas.iue.edu.co/revistasiue/index.php/katharsis/article/view/182 | - |
| dc.identifier.uri | http://bibliotecadigital.iue.edu.co/jspui/handle/20.500.12717/1886 | - |
| dc.description.abstract | El presente texto es una traducción de la Conferencia Presidencial en Humanidades y Arte pronunciada por el Filósofo Norteamericano Alexander Nehamas en la Universidad de Stanford en marzo de 1999, titulada originalmente “The sleep of reason produces monsters”, nombre que tomó del grabado del pintor español Fernando de Goya incluida en la serie “Los Caprichos”. En este texto, Nehamas hace una exploración de los 400 años de historia de la literatura —muy valorada actualmente pero tratada con sospecha en sus inicios—, advierte que el concepto de belleza es dinámico —al valorar como obras de arte válidas algunas series de televisión, obviadas o vilipendiadas por la crítica tradicional— y aclara el valor y la importancia que tiene la imaginación en los procesos mentales: epistemológicos, éticos. | en_ES |
| dc.format.extent | 26 | en_ES |
| dc.format.mimetype | application/pdf | en_ES |
| dc.language.iso | spa | en_ES |
| dc.publisher | Fondo Editorial Institución Universitaria de Envigado | en_ES |
| dc.rights | info:eu-repo/semantics/openAccess | en_ES |
| dc.rights.uri | https://creativecommons.org/licenses/by-nd/4.0/ | en_ES |
| dc.source | Instutución Universitaria de Envigado | en_ES |
| dc.source | RI-IUE | en_ES |
| dc.title | El sueño de la razón produce monstruos | en_ES |
| oaire.citationendpage | 32 | en_ES |
| oaire.citationissue | 10 | en_ES |
| oaire.citationstartpage | 7 | en_ES |
| oaire.version | http://purl.org/coar/version/c_970fb48d4fbd8a85 | en_ES |
| dc.identifier.doi | https://doi.org/10.25057/25005731.182 | - |
| dc.publisher.faculty | Facultad de Ciencias Empresariales | en_ES |
| dc.publisher.place | Envigado, Colombia | en_ES |
| dc.rights.creativecommons | https://creativecommons.org/licenses/by/4.0/ | en_ES |
| dc.subject.keyword | Goya | en_ES |
| dc.subject.keyword | imagination | en_ES |
| dc.subject.keyword | literature | en_ES |
| dc.subject.keyword | Artes | en_ES |
| dc.subject.keyword | epistemology | en_ES |
| dc.subject.keyword | ethics | en_ES |
| dc.subject.keyword | aesthetics | en_ES |
| dc.type.coar | http://purl.org/coar/resource_type/c_2df8fbb1 | en_ES |
| dc.type.driver | info:eu-repo/semantics/article | en_ES |
| dc.type.hasversion | http://purl.org/coar/version/c_970fb48d4fbd8a85 | en_ES |
| dc.type.local | Artículo de investigación | en_ES |
| dc.type.redcol | https://purl.org/redcol/resource_type/ART | en_ES |
| dc.rights.accessrights | http://purl.org/coar/access_right/c_abf2 | en_ES |
| dc.source.tituloRevistaAbreviada | Katharsis | en_ES |
| dc.subject.proposal | Goya | en_ES |
| dc.subject.proposal | imaginación | en_ES |
| dc.subject.proposal | literatura | en_ES |
| dc.subject.proposal | arte | en_ES |
| dc.subject.proposal | epistemología | en_ES |
| dc.subject.proposal | épica | en_ES |
| dc.subject.proposal | estética | en_ES |
| dc.description.abstracteng | This paper is a translation of the Presidential Lecture in the Humanities and Arts delivered by the American philosopher Alexander Nehamas in Stanford University in 1999, originally entitled “The sleep of reason produces monsters,” a name taken from the very well known engraving by the Spanish painter Fernando de Goya, included in “Los Caprichos” series. I this text Nehamas makes an exploration of 400 years of Literature history —very valued nowadays, but treated with suspicion in its beginnings—, warns that the concept of the beauty is a dynamic one —by treating as Works of Art some TV series, obviated or reviled by the traditional criticism— and clarifies the value and importance the imagination has for the mental processes —epistemological, ethic, and aesthetic. | en_ES |
| dc.identifier.journal | Katharsis | en_ES |
| oaire.accessrights | http://purl.org/coar/access_right/c_abf2 | en_ES |
| Appears in Collections: | No. 10: Julio - Diciembre 2010 | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| 182-Texto del artículo-5020-1-10-20200913.pdf | 1.64 MB | Adobe PDF |  View/Open |
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